Monday, April 17, 2006

Amazing, amazing, Fern, it's amazing

She must have "fey-ver-it bands" in the thousands. In fact, they're all her favourites. They're all brilliant and they're all a-m-a-z-i-n-g. She hangs around with them all and they're lovely people. Hooray! Cheers! Hooraahh!

People scoff at how TOTP presenters in the 1980s were bigging everything up and it was all OTT, ego, baloons and cheers, Mike Read, Steve Wright, Bruno Brookes. But how is Fern Cotton any different? As Top of The Pops ratings keep plummeting, there must be someone, somewhere at the BBC able to grasp how much that bloodless, fake, sycophantic egomaniac annoys the hell out of people.

One day, in 2020, there'll be a Top 50 cringeworthy list about the noughties and Fern "Amazing" Cotton will be well in it, along with Jo "it's such a good band" Whiley and Davina "Awww" McCall.

Sunday, April 16, 2006

casualties.org

The arrogant US Defence Secretary Donald Rumsfeld is sneering at the simmering suggestions from military high ranks that he should quit. And in the meantime, sottovoce, an average of two US soldiers a day are killed in Iraq. One wonders if the Americans have subconsciously become accustomed to and immune from the heaps of military fatalities. In 2003 and 2004 George W Bush was speaking a different language. A plethora of "bring them on", "we've won the war" and all the rest of it. To get an idea of what "We" are supposed to have won, take a peek.

Monday, April 10, 2006

Morrissey, "Ringleader of the Tormentors"

"Your songs are not as good as they once were".

A review of Morrissey's new album

I bet he knows it. Ok, what a joy when your new album is strutting triumphantly at no.1. But what an odd state of affairs, to reach your commercial peak when your inspiration's gone to the dogs. If you think that Morrissey endured years and years of stick right when he was putting out some seriously inspired good stuff. He was pilloried while, for better or for worse, each of his 90s albums had some real depth, a specific tinge, some experimentation. Yes, even the clumsy stammer that was Kill Uncle, the rockabilly hooks of 1992's Your Arsenal, not to mention the heart-rending Vauxhall and I which, while the NME was busy issuing its anti-Moz fatwa, was hailed by his fans as up there along with the best of The Smiths. Those were the days when Britain was in awe of the flash in the pan of Oasis, Blur & co. Yet Mozzer seemed on a one-man mission, a release after the other, Boxers and Southpaw Grammar sporting some of his most daring music to date, brutal and violent, the guy clearly with a score to settle against bucketloads of nasty, nasty press. Put simply, if you liked Morrissey solo in the 90s you were considered a freak. It's only with the unimaginative Maladjusted (1997) that some cracks finally showed, even though Morrissey could still pen gems like 'Trouble Loves Me'.

What follows is well documented. The tale of a massive comeback after seven years in the wilderness without a record deal, Morrissey finally being paid his dues with a place in history. Were it not for the old law of pendulum-swings and revivals due every 20 years, the change of heart would be all but inexplicable. In 2004, you had to like Morrissey. His new label invested on him and did so heavily. He was the flavour of the year, TV, radio and magazines, namechecked by the new hordes of 80s revivalists. Yet it was obvious that You Are The Quarry sucked, as simple as that. Just one big clump of MoR, and ten more listens down the road you still wouldn't remember a single tune (except...maybe... 'First of The Gang To Die'). Which is why many long term fans hoped for a reprieve when the release of Ringleader of the Tormentors was announced. His move to Rome was seen as a promising change of scenery for a man in desperate need of new ideas. And yes, his interviews are still the most interesting ever. In a music-scene epitomised by the cerebral death of stuff akin to Channel 4's Popworld, it's always refreshing to read Morrissey telling it like it is.

But the music? Ringleader of the Tormentors is Quarry-part 2, just a touch better. Mostly, another clump of unremarkable MoR starved of hooks and brilliance, stifled by those trademark- alas- mildly dull distorted guitars. Little sticks in your mind. In a word, bland. You can even sing the tune of You Are The Quarry's 'I Like You', on top of the new single 'You Have Killed Me'. It just goes nowhere. And it's the usual collection of "i-forgive-you, please-god-help-me, I-live-longer-than-intended", none of the genius social observation of Your Arsenal, the wit of Bona Drag, and only glimpses of the passion of Vauxhall And I. It's only when the trite and tiresome tangle of sapid guitars keeps quiet that the music and vocals do have a chance to shine, like in the gorgeous, stunningly wholehearted 'Dear God Please Help Me' (featuring arrangements by Ennio Morricone). In fact, the whole album is gagging for those dreary guitars to shut up. As such, the few moments with new ideas are indeed quite brilliant: Tony Visconti's laudable production is tangible on the 'Panic'-like choir of 'The Youngest Was The Most Loved', or tracks that don't rely on the usual MoR formula (the glam-stomp of 'The Father Who Must Be Killed', the eastern swirl of the touchingly anti-Bush 'I Will See You In Far Off Places', the drums and trombone of ‘I Just Want To See The Boy Happy’ and the eerie piano of 'Life Is A Pigsty').

In 1990 Morrissey wrote a b-side called 'Get Off The Stage', a scathing attack on ageing rockstars who just can't jack it in. How ironic, how foretelling. In the meantime I'll stick the title 'Your songs are not as good as they once were' on this review. It sounds, would you believe it, almost Morrissey-esque.

Sunday, April 09, 2006

Boot him out!

Today and tomorrow Italians are expected to go to the poll en masse on watershed-like general elections. And so boot him out, miei compatrioti, boot him out. Except that the alternative to the jaded swindler Berlusconi is Romano Prodi, a dour and scholarly professor of economics that is nothing to write home about. Rumour has it that the centre-left political manifesto is a run-of-the-mill 281 pages long tome. I'm no fan of telegenic Blair, but the Italian left could do with old-school charisma capable to excite and speak the language of the millions of non-intellectual souls who feel the pinch mid-month. With such lacklustre opposition, if this time round Berlusconi finds himself in the losing seat it'll be a telling tale of how low he's managed to stoop.

Wednesday, April 05, 2006

Heroes of the bleeding obvious

A couple of years ago, American film director Morgan Spurlock earned himself fame with the controversial Supersize Me, an experiment on the side effects of a month-long McDonalds-based diet. Now he's back on Channel Four with 30 Days, a -never did the definition sound more appropriate- reality TV programme. The first episode featured Spurlock and his girlfriend taking the plunge to live on the minimum wage in Columbus, Ohio. It's £2.91 in the US, and we thought it was crap here! Needless to say that the following morning reviewers cut him apart. This country's journos, consummate chanters of the working class, spent inches and inches of columns lambasting Spurlock accusing him of 'narcisism', 'stating the bleeding obvious', and showing sympathy for the poor purely in his quest 'to advance the Spurlock Inc.', etc... That's in spite of Spurlock emphasising quite clearly that what they experienced for a mere month, some people have to endure for a lifetime.

The facts are simple. If Spurlock didn't do it, I don't quite see any other TV or press do-gooder going out of their way to illustrate the point (the point being that the US society cannot go on forever at its ruthless, astonishing level of inequality). They'd sooner jump at the opps of writing about glitzy parties, hollywood, desperate housewives and other pap. Yes, bleeding obvious it may be, but how often do you hear or read about the flipside of America? In which case, fair play to Morgan Spurlock and his laydee for actually showing in all its squalor what life is really like for the tens of millions of American we never hear about. An invisible underclass, ghosts who work their backside out and still live in deprivation, unable to afford primary goods such as healthcare. And above all, they're helpless when it comes down to escaping the perpetual cycle of debts, poor diet, ill-health, long hours, lowpay, blacklisting, and refrain.

But I suspect it's easier that way. Slag off Spurlock the "narcissus", stop one step short of saying that it's all his fault, and the prickly issues are soon glossed over.