Still wondering what the hell music reviewers are on about? See if this sheds any light:
[…]Vauxhall swapped the lumpen rockabilly glam of Your Arsenal for a dreamlike album of eerie Morphean textures suffused with a Chatterton-like half-spirit of jubilant exhaustion.
(Andrew Male on Mojo, June 2004)
But keep an open mind, cleanse your aural palette with a David Gray/James Blunt sorbet and you just might find your self going ga-ga for douchebag rock.
(Craig McLean, album review on The Word, November 2005)
Tracing the vector that commenced with 2002’s Intelligence And Sacrifice, Futurist further strips away the armour-plated junglism of Empire’s 90s output in favour of dense metallic punk embellished with Nic Endo’s digital percussion.
(Louis Pattison, new albums reviews, Uncut June 2005)
Like an artificially grown crystal, every Autechre track has a unique molecular arrangement determining its overall shape, density and degree of rigidity. Underpinning pulses of hip hop and breakbeats, even electronic clubs are pummelled in brutal stress-tests. The duo tax the syntax of musical language.
(Rob Young, new albums reviews, Uncut June 2005)
Hanging out more with people may be a solution...
[…]Vauxhall swapped the lumpen rockabilly glam of Your Arsenal for a dreamlike album of eerie Morphean textures suffused with a Chatterton-like half-spirit of jubilant exhaustion.
(Andrew Male on Mojo, June 2004)
But keep an open mind, cleanse your aural palette with a David Gray/James Blunt sorbet and you just might find your self going ga-ga for douchebag rock.
(Craig McLean, album review on The Word, November 2005)
Tracing the vector that commenced with 2002’s Intelligence And Sacrifice, Futurist further strips away the armour-plated junglism of Empire’s 90s output in favour of dense metallic punk embellished with Nic Endo’s digital percussion.
(Louis Pattison, new albums reviews, Uncut June 2005)
Like an artificially grown crystal, every Autechre track has a unique molecular arrangement determining its overall shape, density and degree of rigidity. Underpinning pulses of hip hop and breakbeats, even electronic clubs are pummelled in brutal stress-tests. The duo tax the syntax of musical language.
(Rob Young, new albums reviews, Uncut June 2005)
Hanging out more with people may be a solution...
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